In the series Sea Etchings, I search for musical nuances seen in the landscape. I am interested in the expressive nature of lines and the evocative quality lying beneath. Less concerned with a literal interpretation, the work seeks to express an intangible sensation perceived while observing the subject matter. These ‘temporary etchings’ seem to reflect upon something vulnerable, they elicit the endless realm of personal association.

The Seascapes portray a series of meditations upon the feminine energy found in the natural world. The ancient Greek recognized water as the original matter of the universe, the source of everything. In Genesis water is the original element of creation: a prerequisite for life to develop. In Taoist tradition earth as water is the ultimate Yin symbol, representing the feminine principle. Oceans cover nearly three-fourths of the earth's surface. These meditations pay tribute to our great mother.

Light, like water, is essential to our life; however, different from water, light is intangible. The Lambda project explores the eternal and yet fleeting aspect of light. In capturing movement and using selective focus details are obscured and elusive sketches of light and dark emerge. As I trace a world beyond our perception, I feel drawn to the unknown - that part of existence, which is not measurable and rests within mystery and the imagination. Wind is the author of motion in this work as the world is in constant flux from one moment to the next 'ad infinitum.' Wind and light intertwine in a dance of element and energy.

The work Desert Lines considers the presence of opposites in all things. Erosion has rounded and softened the rock formations displaying feminine and sensual lines. Soft overcomes hard as stone yields to water.